Unlike sequels to blockbuster hits that go unnoticed in the ratings, Lollapalooza hardly disappoints with its Chicago sequel in Grant Park each and every year. There are drawbacks --the travel time, the obnoxious price for beer, the unrelenting rain and the Sahara-like heat -- but the third degree sunburn is more like a souvenir from one of the year's most enjoyable music events.
Ambition. That is what I think Lollapalooza goers are filled with upon arrival into the center of one of the greatest cities. What does ambition have to do with Lollapalooza one may ask? It starts once the highly anticipated performance schedule is released, everyone starts planning their three-day itinerary. Even those who have embarked upon this journey before have high hopes of making it to each and every stage at the allotted times. We soon find this is hardly the case.
Day 1: Mudapalooza
Perfect example is day one of the festival, with high hopes to attend the festival on time and hear Manchester Orchestra; our dreams were quickly shot down when the train into the city was abruptly stopped because an elderly woman broke her arm. I wish her well.
First day excitement was upon us and then.... it started to pour. After coming to terms with missing our destination we stocked up on the appropriate amount of batteries and caffeine.
We trekked forward; all that really mattered on this day was to be front and center for folk group Bon Iver, who performed one of only a handful of U.S. tour dates.
For those who don't know what being front and center entails, allow me to explain. Front and center means standing and hoping that the two bands prior to the performer you desire to see are halfway enjoyable because you will be there for two hours. Not only will you be standing, but you will be pushing and searching through the crowd for small holes where you can awkwardly push between people to get closer up.
Let's just hope you remembered to go to the bathroom or a kidney infection is coming your way.
After grooving a bit to the jazzy beats of Zap Mama we rushed forward in anticipation for Bon Iver. It started to pour harder. Pet peeve of 2009, Umbrellas. Since when were umbrellas rock and roll? Not only do they block the stage, but they create a downpour during a drizzle for anyone within a foot of the person holding them.
Needless to say it's cold and rainy at this point and not in the good let's chuck mud Woodstock-style either.
The soft croon of lead singer Justin Vernon's voice reminded us all of why it was okay that the man's leg behind us was soggy and sticking to our butt. The great thing about Bon Iver is that little needed to be said about him and although he moved with little energy his voice seemed to electrify the crowd.
It was time to break. It wasn't time to break on the schedule but The Virgins would just have to go on without us. Lollapalooza get's points for their food selection. Where else can you get funnel cakes, veggie burgers, Chinese food, and pizza all at once? Good thing they had Sweet Leaf Tea, there were many festival goers who used it as a perfect mixer to their properly checked and factory sealed "water".
After drying off a bit, Fleet Foxes began. Easily one of the best of the weekend, the crystal clear harmonies of the group on stage left the crowd in shock and awe. There are very few groups in existence who can harmonize at that level and to have the opportunity to hear it live was a true privilege.
We then sprinted over to Asher Roth... Okay, that was a lie.
A little late to Peter Bjorn and John we tried to squeeze forward and get a better ear to the stage. This did not sound like Peter Bjorn and John, our only reassurance of their presence on stage was a girl walking up and asking, "Have they played the whistle song yet?" The sound quality was poor and their musicianship sounded distorted. After they played the "whistle song" known as "Young Folks," it was as if someone yelled fire, because the crowd dispersed immediately after. We left with them, irritated that we missed the highly praised live performance of Of Montreal.
After pushing through mud puddles and sticky people, Andrew Bird's voice was recognized. He performed well and the audience responded accordingly but it wasn't anything worth noting. Many of the songs started off all too similar and eventually meshed into one.
After a day that started off musically enticing it was quickly going downhill. The night started to come upon us and fatigue was setting in. Getting a spot pretty far back, we had no desire to fight through anyone this late in the day. Then Kings of Leon started to play.
During any live performance a little separation between the album quality and the live show is expected. These guys set a new standard.
The quality was impeccable, proving that their sound was hardly processed. Standing in the middle of the city covered in mud and sweat, the group provided perfect sing-along's to a pretty good day.
Day 2: Jamapalooza
Day two started off right. The sun was shining, the temperature was just right and rain was nowhere in sight. We missed The Low Anthem, but nothing could alter our mood on this day. It eventually started with folk singer Joe Pug. It was a standard beginning to a long day, there were a few fans but the grass was mostly littered with those just stopping through.
Los Campesinos! played a large crowd and the group's energy was equal to that of its album. Jumping around and screaming into the microphone it was hard not to feed off their performance.
Breaking a bit early, we headed over to Lollapalooza's newest addition Perry's DJ stage where Animal Collective performed their DJ set. It was nothing compared to their usual quality but it was a fun departure.
Easily the most underestimated performance of the weekend; groovy girl performer Santigold most definitely needed a larger stage. The packed crowd displayed shameless dance moves and the group even brought crowd members on stage. It was a fantastic dance party.
Close by, we headed over to hear TV On The Radio. The group displayed great energy and definitely had the crowd engaged but I was highly disappointed in the way the music translated to a live performance.
It was now time to sit; the sun had started to take its toll. Planting a spot center stage we waited for a little over an hour to hear the Yeah Yeah Yeah's. Less than 10 people back from the stage, it was a huge difference from watching Kings of Leon from the large TV screen the night before.
Lead singer Karen O slowly emerged from backstage in a huge peacock suit and full body paint. Her every moment kept the audience on edge until she abruptly broke out in song.

Courtesy of Alexandra Fletcher
The crowd went wild feeding off of her every move. After maybe one too many Corona's she forgot the words to one of the band's most popular hit "Maps."
The crowd responded forgivingly and the rest of the show went off without a hitch. She spoke with gratitude and really put on amazing performance, nothing short of what might have been the previously scheduled Beastie Boys in the same time slot.
We are left in disbelief that it's already the end of day two.
Day 3: Burnapalooza
It was probably a poor choice to venture out into the city after the buzz of day two because wakening up for day three was a task. It didn't help that the temperature was near the 100's. A little groggy, we embarked on the last day of our musical journey.
Poor Portugal. The Man. The sun had apparently taken its toll on audiences this day because the crowd response was weak compared to the hard driving rock the group was putting forth. After Portugal. The Man, we literally ran over to catch The Airborne Toxic Event's one hit song. It was what we intended it to be, a hit. The crowd naturally knew every word, and that was probably the only highlight of the entire performance.
At this point the heat is really taking its toll. Vendors are handing out free water, and the Chicago Fire Department has provided a stream of water for people to stand under. All hail the Chicago Fire Department -- that could not have come at a better time.
After a short nap in the nap garden that became most of the park we headed over to Vampire Weekend. It was fun and the few songs we stayed for were satisfying but nothing compared to what was up next.
Possibly the most fun of the entire festival, Passion Pit reignited the sun drained people of Lollapalooza. Despite the smaller stage, the band had the crowd jumping, chanting, and even crowd surfing.

Courtesy of Alexandra Fletcher
The performance was a reminder of what shows should be and how audiences should respond.
Passion Pit drained what energy we had left. It was time to lie down... again. From a distance Cold War Kids sounded better than expected and part of me wanted to venture out but the sun said no. Within the same ear range as Snoop Dogg and Deerhunter the result was deafening and highly annoying to my already pounding head.
From a distance anyone could tell that Snoop Dogg definitely had the crowd going wild. It wasn't because it was musically profound, more so because...hey it's Snoop. The lead singer of Deerhunter was trying incredibly too hard to be a cynical frontman and his rants between songs were terrible, I was embarrassed for him.
Now came the dreaded decision of the weekend. To see Silversun Pickups or Band Of Horses. I did not understand why the organizers would play such harsh games with my heart but I came to a conclusion; I would watch half of each set. Silversun Pickups were nothing short of spectacular and when the time came to split between the two artists I couldn't pull myself away. Lead singer Brian Aubert's voice drew me in and he spoke in such a humble way it sent shivers through me. He asked the audience to look behind them, "This is a special festival," he said. He reminded us all of what we love so much about Lollapalooza -- being right there smack dab in the center of the city.
With 15 minutes left for Band of Horses I ran the mile through the park to the other end, only to stop once to check out the man illegally climbing in the Chicago's Buckingham Fountain. After arriving at Band Of Horses I had come to find that on the stage adjacent to this one Lou Reed arrived late and played nearly 30 minutes into Band of Horses' set time. Now if anyone has ever met a true Band of Horses fan they would know that these fans did not take this lightly. The crowd chanted obscenities at Lou Reed but he remained, Band of Horses was left with only 20 minutes of playing time.
Not only is the creator of Lollapalooza, Perry Ferrell also the front man to longtime band Janes Addiction who was set to perform following Band of Horses. The Horses asked the audience if they should stop when they were suppose to and naturally the fans wanted them to play on. Rebelliously playing simultaneously alongside Jane's Addiction the band put on a charged performance and fans left cheering and exhilarated. Rumor has it that Band of Horses won't be asked back.
The Killers ended the festival and although the performance was fun people were a little nutty from the sun and the long weekend. Some kids were stripping their clothes and dancing in circles. The stage show was great, with the words printed largely on the backdrop of the stage and lights beaming in all directions.

Courtesy of Alexandra Fletcher
Brandon Flowers did get on one of his kicks with overly drawn out stories between songs but it was a fun end to an amazing weekend.
It's always a sad feeling-- that last train ride home, every joint hurts but given the chance we'd live it every day. $200 in gas and tolls, $170 for a ticket, $100 in over priced food and drinks, $300 unaccounted for, peeling the skin from your shoulder for three weeks just waiting for someone to ask where you got so burned so you can say Lollapalooza........priceless.
-- Alexandra Fletcher
A Huxtable in Harrisburg