Townhall's The New Song sounds very sophisticated for a band's first independent studio release. The five-piece band has fallen into a groove that allows its experience to ring clearly.

A Bob Marley-like comprehension of how to lay it back, comfortably syncopated rhythms, and varied instrumentation propel this disc. The music is easily accessible and has a positive message, but alert listeners cannot ignore the complex arrangements and detailed production. This is music that will only work out smoothly if played and produced properly, and the final product speaks for itself.

One good example is "Premonitions," a complicated reggae song. Its rhythm never quite fits into standard 4/4 time, but it still flows in its own way. The song's metrical bass line and mysterious, jazzy horns tie it together over imaginative lyrics.

Another outstanding track is the instantly memorable "Chevy," a virtual Stevie Wonder tribute with its smooth R&B beat and trademark chromatic harmonica solo.

But amidst the energy of the unpredictable funk of "Confusion" and the commanding guitar harmonies of "Master of the Universe," Townhall's efforts to be extremely mellow are not always successful. "Ellie Mae" recalls the melodic sensibility of a Tom Waits ballad but it simply isn't as compelling, while the title track rambles around with slide guitars that just sound too lazy.

But for the most part, The New Song is a decent indication that things are looking good for our "Town." In fact, Townhall can take over my real town hall whenever it wants.

-- Reviewed by Paul Weinstein