Erykah Badu's Mama's Gun is fiercely exposed, and the mix of rage and respect meld a phenomenal new album of intense artistry.

Mama's Gun (Motown/Universal) seamlessly carries 15 exceptional tracks produced by Badu and a string of exceptional collaborators, including Stephen Marley and Betty Wright.

The fuel driving her second studio album seems obvious — her torrential 1999 fallout with Outkast's Andre "Dre" Benjamin, Badu's lover of three years and father of her son, Seven. In songs like "Green Eyes," Badu reflects the highs and lows of her emotional breakup, granting the listener access to her most tender corners. Badu the philosopher isn't preaching or teaching. She's hurting and mentally tangled just like everyone else.

Despite it's uncharacteristic vulnerability, Mama's Gun is also loaded with tracks that reflect Badu's inner strength and motivating spirit. However, Badu's self confidence is not pop narcissism or artistic arrogance — it's raw pride and honest acceptance.

The stylistic and emotional depth of Mama's Gun runs as deep as Badu's head wraps, but the icing is Badu's bravery. The album wasn't produced to make Total Request Live's top 10 list or catch magazine covers. It was developed as a personal work of art to share with her fans. Thank God the concept still does exist.