Ursu read from her latest book, The Sky Behind the Forest: Selected
Poems and the soon-to-be-published Angel Riding the Beast.
Ursu conjured the spirit of her native land by reading her first
piece in Romanian, the lilting tones of the language lending themselves
to the rhythms of the poem. Even for those not fluent in her tongue,
the meaning of the work could be felt in the shifting color of
her voice and her periodically closing eyes.
"Her work expresses the very sensual, very beautiful and
very cruel spirit of the south of Romania," said Tod Hartman
(sophomore-comparative literature and history), one of Ursu's
students who has spent some time in the western European country.
The beautiful aspects of Ursu's home are found in pieces that
recall the natural landscapes of her native country.
It was the midst of February in State College when Ursu conceptualized
one of her works about Romania. Ursu said she marveled at the
thunder she heard, saying she had previously thought it was uncharacteristic
of winter weather.
This thunder made her think back to an encounter that occurred
in Romania, she said. She met two gypsy children named "Apple"
and "Peach" (in Romanian) while walking one day, carrying
a bucket of water to their sister "Orange," who needed
it to wash her exceptionally long hair.
Ursu's poems are full of unusual people and situations such as
these. The people she involves in her works range from famous
artists such as El Greco and Sylvia Plath to ordinary people such
as an old woman on welfare who lived on the bottom floor of Ursu's
apartment building.
The volume of her voice remained low and gentle for most of the
readings, gracefully colored by her accent. Yet its speed and
volume increased with each line of poetic verse as the intensity
and seriousness of the subject matter built. Shadows of the emotions
she wished to convey appeared in the crease between her eyebrows
and the phantom of a smile that occasionally materialized while
she read.
The crowd, mostly of University professors, periodically chuckled
during some of Ursu's lighter works.
When the tone turned darker, the small crowd gathered in 112 Walker
responded. The end of her more thought-provoking pieces were greeted
with a "hmmm" of approval from the audience, who remained
still except during breaks between poems, when the rustling of
crossing legs and shifting bodies broke the silence.
Though Ursu has an apparent love for her home, she also recognizes
its flaws. Within one of her poems, she related an incident that
occurred in Romania while it was under Communist control. A blind
man tried to cross the Danube out of Romania and, in his confusion,
instead came back to the very country he sought to escape. When
he reached the land, he leaped to his feet and shouted "freedom,"
but was quickly shot dead by Romanian guards.
Many of Ursu's short works relate tragic stories such as this
one. Her poems are affecting pieces dedicated to reflecting pieces
of life from both her own experiences and the experiences of others.
She finds value and art in things most people would overlook --
the hallmark of a truly gifted poet.
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