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Thursday, Feb. 5, 1998

'Can you feel it?'

STOMP captivates with nonverbal comedy, jaw-dropping percussion

Reviewed by CHRIS KREWSON
Collegian Arts Writer

People go to STOMP expecting to see unusual items used in interesting rhythms. They expect chest-pounding bangs and clangs on stage. They even expect to leave with a headache.

Stomp photo

STOMP members crash their brooms against the Eisenhower Auditorium stage to create what touring member Maria Breyer calls "rhythmic movement with percussion." STOMP performed Tuesday night and last night to near-capacity audiences. (Collegian Photo/Dan Saelinger - click for full size image)
They don't expect to leave with their ribs aching from laughing at the show's comedy.

That's exactly what happened after the STOMPers left the stage in Eisenhower Auditorium Tuesday night -- the standing ovation was tinged with peals of laughter. Yes, the percussion was amazing, and there were plenty of unorthodox instruments on stage. (Zippo lighters? Plungers? You betcha.)

But the most wonderful thing about the performance was its humanity. In a series of mini-sketches, and almost totally without words (I counted nine in the whole performance), the dancers/percussionists/actors managed to convey which one was annoying, who was simple, who was over-enthusiastic and who the leader was.

That leader, Steven Dean Davis, was the source of most of the performance's nine words.

Stomp photo

With a violent movement, Stomp members crash brooms against the stage. (Collegian Photo/Dan Saelinger - click for full size image)
"Can you feel it?" he asked, after directing the almost-capacity crowd in rhythmic finger-snapping. "Keep it going."

Audience participation was important to the STOMPers. They played to the crowd as ably as any improvisational musician, gesturing for applause after each flurry of solo action. The best example showed seven of the eight performers in a semicircle, keeping the beat, while one performer strutted his or her stuff in the middle.

The percussion was amazing, and solid, but the nonverbal communication sealed the show. A tilted neck to indicate mild curiosity, a comically exaggerated mimic of an audience member, a slow stare to show disinterest or the deep bow in center spotlight after a solo stint.

Stomp photo

A member of Stomp creates rythm by tapping his broom against the stage of Eisenhower Auditorium. (Collegian Photo/Dan Saelinger - click for full size image)
That spotlight, and in fact all of the lighting in STOMP, was definitely a pleasant surprise. The STOMPers were backlit at times, throwing much of their features in shadow. At other times, lights shone from the back of the auditorium or from catwalks above the stage. One scene of the performance featured long wooden staffs, and the STOMPers circled while holding the poles. The lighting was from the center of their circle, throwing shadows on the side walls of the auditorium reminiscent of a tribal gathering around a campfire.

Probably the only downside to the experience was the price tag. Ticket costs ranged from $25 to $32, a real wallet-slammer for most students. While STOMP was amazing, inspiring, unique and humane, it was also very, very pricey. And when a show plays on a college campus, the needs of the audience should be considered.

The show's other two words, instead of "pipe" and "shh," should have been "too expensive."

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