![]() Tuesday, Jan. 14, 1997 |
Best spins of 1996By JAKE STUIVERCollegian Arts Writer
It would be a critic's cliché to say the music of 1996
was simply more of the same. And while the world's most prostituted
popular art was indeed butchered some more last year and audiences
were saturated with what we can, for the sake of convenience,
dismiss as meaningless re-hashings, it would be negligent not
to go back with a fine-toothed comb to bring forth the memorable
moments. Rock 'n' roll suffered through many more re-workings of the Nirvana precedent -- there were a few artists who delved further back than 1990 in search of musical influences. |
![]() CMJ's recent charts |
Hootie and the Blowfish continued in their simplistic evolution
of R.E.M.'s shallower material. But audiences did not continue
to buy. No Doubt carried forth the long-established influence
of ska-pop. And audiences bought it as if they had re-invented
the light bulb, when, in fact, they had merely marketed it in
a different package. The Fugees revolutionized rock 'n' roll by
picking up where UB40 left off and interpreting old standards
into the hip-hop genre. And Metallica and Soundgarden imitated
each other.
Meanwhile, the artist currently known as Beck, who had previously
been dismissed as a one-hit-wonder due to having enjoyed the success
of a hit single, "Loser" (none of the above-mentioned
bands would know anything about that), broke out his old records
by Woody Guthrie, Bob Dylan, Muddy Waters, Afrika Bambaataa and
Pussy Galore, along with two turntables and a microphone. And
he made the best record of the year, Odelay.
Guided By Voices drew upon the power-pop of The Who, The Beatles,
The Kinks, The Byrds and Big Star, and made a strong album of
pure pop rock 'n' roll.
While it is another cliché to say popular music has been
deteriorating for quite some time now, some fans are looking deeper
for explanations why spirited rock 'n' roll exploits have become
so few and far between.
"You have to love music to make good music,
and I don't think that's happening much," said Adam Bujaj,
member of local pop band Jason Likes Science and clerk at Arboria
Records, 119 E. Beaver Ave.
Matt Bujaj, Adam's older brother by five years, agreed, displaying
a loss of faith in the younger generation's musical pool.
"All my favorite albums are by older people. It's frustrating,
because I'm not excited at all by what the younger bands are doing,"
Matt Bujaj said.
Some of the favorite albums of the Arboria staff include the releases
by Los Lobos, Steve Earle, Patti Smith, Ernest Ranglin, Johnny
Cash, Iggy Pop, Social Distortion, Guided By Voices, Chris Isaak,
the Lemonheads, Superdrag and a compilation called Rig Rock Deluxe
-- A Musical Salute to the American Truck Driver. The store's
staff also liked jazz releases by Joe Henderson, Pharoah Sanders
and Ornette Coleman. Adam Bujaj particularly like the 1996 release
by British pop band Ride.
Paul Guzik, manager of Blue Train Compact Disc, 418 E. College
Ave., shed light on the success of releases by local artists last
year.
The Dirges album released early in the year and the e.p. released
more recently did quite well, he said, in addition to releases
by John Cunningham and Queen Bee.
"Sideshow Bob is one of the best sellers," Guzik said.
Among other State College-based bands that released albums in
1996 were The Earthtones, Bump, Spider Kelly and Simple Gifts.
Former State College natives Ruder Than You released an album
at the end of the year, and Washington, D.C. punk bands The Delta
72 and Kerosene 454, both of which include members of defunct
State College punk bands, put out albums.
The collective staff favorites at Vibes, 226 E. College Ave.,
include the releases by Beck, Cake, Tool, Sublime, Stone Temple
Pilots, Soundgarden, Butthole Surfers, R.E.M., Tricky, Wilco and
Fiona Apple.
"The college music scene had a lot of new releases, so I
think it was a good year for us," Vibes manager Nina Klein
said.
Klein pointed out that 1996 harvested a bumper crop of new artists
releasing either debut or follow-up albums.
"In past years, people were upset if a megastar didn't release
an album, but megastars don't do as well in the college market
anymore," Klein said. "People are looking for something
new and different."
And although some record companies are said to be falling into
a trend of high-speed milk-it marketing that causes artists' popularity
to burn out fast, fans are excited about the diversity being created.
"I really like that there aren't certain staples of the music
industry (anymore)," said Whitney Vass, music director for
WKPS-FM (90.7).
Vass said she likes the fact that labels are being more courageous
in who they sign and what they release because it allows for a
great deal of experimentation on the artist's part. In accordance
with her taste for experimentation of new artists, Vass's two
favorite albums of 1996 were debuts by brand new bands, The Make-Up
and Modest Mouse.
"There's so many different things out there," Vass said.
Ted Swanson, general manager of WGMR-FM (101.1), does see a couple
of trends forming for the new year, however. For one, there is
a wave of industrial music on the rise, Swanson said, such as
Stabbing Westward, Gravity Kills and Marylin Manson.
"I think you're going to see a lot less guitars and a lot
more turntables," Swanson said.
"It's really time for (rock) to re-invent itself. Going into
next year there's going to be a lot of cool new music. New artists
that will be the future," he said.
Among artists that are falling into heavy rotation on WGMR are
Fountains of Wayne and Kula Shaker, Swanson said. |
Copyright © 1997, Collegian Inc., Last Updated -
1/13/97 9:36:53 PM